BAZHANE

The architectural solution of the Bazhane boutique is based on restraint, functionality and precise work with details. The space is neutral and structured, devoid of decorative layering, working as a backdrop for the product. The room has an elongated shape and is divided into two zones relative to the entrance. The first visual accent is the reception desk, made of wood and travertine. Its elongated horizontal line forms the direction of movement inside the space. To the left of the reception desk is the main hall with rails for clothes and a waiting area. The latter is decorated with a black leather sofa by Gianni Songia, tables made of fiberglass concrete by ferm living and a low vintage armchair. The rails are made of metal and finished with a cone-shaped base - as an attempt to give each element a separate plasticity, while maintaining a single stylistic language. In the center is an individually designed table with a massive wooden structure and a deep green tabletop. It acts as an architectural axis - the logic of movement and zoning is organized around it. The table is multifunctional: it serves as a place for display, interaction with clients and events. The composition is complemented by vintage Poliform chairs from the 1970s and a bench made of solid wood. The walls in the hall are finished with veneered oak panels that merge into a block with a shelf and a large mirror located opposite the waiting area. From this point - through a wooden portal - the transition leads to the fitting room area. The fitting room block consists of two parts. The open part includes mirror surfaces and a soft bench; the closed part - three fitting rooms, separated by linen beige curtains. Inside - oval mirrors in wooden frames and carpeting. The rest of the room is finished in white - as a visual counterpoint to the warm wooden surfaces. Here is an artistic accent: a graphic painting by Ukrainian artist Dmytro Kozynets and a table lamp with a folded textile surface from the Ukrainian studio Cegla. Next are open shelves made of green avocatus quartzite and a VIP fitting room block hidden behind a mirrored volume with its own waiting area. Uniform lighting is implemented due to the luminous ceiling, which ensures the absence of shadows and even light scattering. Thanks to this, the environment retains its neutrality, and clothes and textures are read without distortion. The zones flow into each other without accentuated boundaries. The furniture uses author's designs and vintage objects, which makes this space special, as well as the emphasis on natural materials such as wood and stone, creating a sense of the integrity of the space and emphasizing the natural texture of the interior. Both parts are autonomous in character, but integrated into the overall spatial logic.